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Upravo kupljeno/naruceno .... CD/LP/...


ninja

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Interesantno izdanje,nema previse podataka...deluje kao polulegalno ...cak pise da nije za prodaju u severnoj americi.Svejedno, koncert je odlicno snimljen.To je bio zapravo javni FM prenos...ima ga na Juno. Ploca je na clear vinilu

Zapravo svirka je brutalna...pa je sve ostalo nebitno.

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10 sati ranije, Koumbare said:

Ovo što si uzeo je regularno, retial, izdanje. Izašlo u prodaju sad krajem januara. 

"Problematične" su bile dve verzije iz prošle godine koje su se kupovale od izdavača preko Bandcamp-a:

1. Limited Smokey Orange Vinyl

2. Limited 180g Black Vinyl

 

da samo dok ne odes u radnju licno,ili ih ne pitas telefonom ranije kako omot izgleda,nije jasno sta nude po internet sajtovima...vecina druka po copy-paste principu slike omota problematicnog izdanja -_-

 

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Danas su mi stigla 3 Sheffield lab izdanja, pa uživam…

Prvo su se zavrteli Michael Newman i Laura Oltman gitarski duo, sa gudačkim kvartetom. Brkica ovog puta nije u džemperu, elegantno je odeven :D

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On 22.2.2022. at 7:55, Father said:

Za one koji ne vole i one koji vole solo klavir, izvanredan album, izvanrednog muzičara.

THE KÖLN CONCERT - Keith Jarrett

https://tidal.com/browse/album/10843697

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Ništa ti ovo ne valja.Lepo se vidi da čoveka bole leđa od dugog puta autom iz Ciriha.Jauče sve vreme dok svira , ne znaš da li više od bolova u leđima ili zato što su mu obezbedili tri puta manji klavir od traženog, a i šta je očekivao od 17-godišnje organizatorke koncerta. 😉

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@Green

Možda im je baš u inat tako "loše" odsvirao koncert uz jauke, uzdahe i muke ježove!? :lol:

Hvala na zanimljivim detaljima! :thumbsup2

... Koliko sam imao prilike da čujem od poznavalaca, neki pijanisti su insistirali na donošenju sopstvenih specijalno tjunovanih klavira na koncertne nastupe... :ph34r:

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Bosendorfer је био наводно покварен. Кажем наводно - један од разлога зашто нико није након тога (поред факта што је концерт импровизација) успео да репродуцира / реплицира његов тон.

Happy accident...

..али донекад јасније зашто су оваква ремек дека ретка.

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The Köln Concert: ‘restrictions stimulate creativity’

"In January 1975 Vera Brandes, then Germany’s youngest concert promoter, booked the jazz pianist Keith Jarrett to play at the Cologne Opera House – the first ever jazz concert to be performed there. Jarrett had requested his usual piano – a Bösendorfer Imperial grand – for the performance. After a long drive from Zurich, little sleep, and chronic back pain, Jarrett found that the opera house staff had left a smaller, baby grand Bösendorfer on stage, the piano usually used for rehearsals. It was in poor condition, and even after hours of tuning and adjustment, it was thin in the upper register and weak in the bass, and its pedals didn’t work. Only a few hours before the sold-out concert was scheduled to start, Jarrett refused to play. Eventually Brandes convinced him to play on the broken piano, and he did, avoiding the low and high ends, and using rolling left-hand patterns to strengthen the bass."

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