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These speakers set sky-high standards in many ways. If you’re looking for agility, precision, bass and plenty of loudness from small speakers that will sound good in just about any room, then you’ve found them. Perfect, then? Not quite.
The Kii Controller has many practical advantages and gives a notable increase in clarity over even very good preamps like our reference Gamut D3i, but using it does result in a loss of natural warmth and body to the sound. Instruments and voices sound thinner and less convincing despite the extra cleanness of the presentation.
But regardless of whether the Controller is used or not, the Threes fall a little short in other areas too. While brilliant at defining the leading edges of notes, the speakers don’t render the texture of sounds as well as we like, nor do they convey dynamic nuances with great conviction.
The combination of these things means that Nina Simone doesn’t quite touch our soul, even with a song as affecting as Strange Fruit, while Debussy’s Claire De Lune lacks a little of its usual magical draw. Add an inability to get our feet moving to Michael Jackson’s Don’t Stop Till You Get Enough thanks to rhythmic precision that isn’t truly spot on, and you have a speakers that are dazzlingly easy to admire but not quite so easy to love.